Lady Churchill's Rosebud Wristlet No. 37 by Kelly Link

Author:Kelly Link
Language: eng
Format: epub
Publisher: Small Beer Press
Published: 2018-04-16T16:00:00+00:00

About these Authors

Holly Day has taught writing classes at the Loft Literary Center in Minneapolis, Minnesota, since 2000. Her poetry has recently appeared in Tampa Review, SLAB, and Gargoyle, and her books include Walking Twin Cities, Music Theory for Dummies, and Ugly Girl.

Dawn Kimberling lives with her wife Nicole Kimberling in Bellingham Washington, where she often discovers things to photograph. She is the art director for Blind Eye Books.

Nicole Kimberling lives in Bellingham, Washington, with her wife, Dawn Kimberling. She is a professional cook and amateur life coach. Her first novel, Turnskin, won the Lambda Literary Award for Science Fiction, Fantasy and Horror. She is also the author of the Bellingham Mystery Series.

Juan Martinez lives in Chicago where he is an assistant professor at Northwestern University. His work has been collected in Best Worst American and has appeared in Glimmer Train, McSweeney’s, Huizache, Ecotone, Mississippi Review, NPR’s Selected Shorts, and elsewhere and is forthcoming in the anthology Who Will Speak for America? Visit and say hi at fulmerford.com.

Maria Romasco Moore’s stories have appeared in Unstuck, Interfictions, and Lightspeed’s Women Destroy Science Fiction. Her flash fiction collection, Ghostographs, is forthcoming from Rose Metal Press. She is an alumni of the Clarion West Writer’s Workshop and holds an MFA in Fiction from Southern Illinois University.

Apple Music is a streaming music service run by one of the biggest corporations in the world. The design is clunky and while there is supposed to be some kind of social aspect of it, Apple seems to have no idea how to actually make that work. Which is fine because to me it and all the other streaming services are real and true life miracles. Having seen various great ideas ground down into nothing I am not sure that I will get to keep enjoying this service as long as I’d like to (i.e. up until my final breath). Record labels, by whatever name they go by, have never been known as being friendly to musicians, listeners, anyone — except their bottom line so I would not be surprised if they decide to stop licensing music to the streaming services to mess things up for the millions of happy listeners. Ugh. But in the meantime: woah. What a moment. I have a family subscription which lets 6 people use Apple Music for $15 a month. It is amazing. OK, it is clunky and sometimes I forget to download songs to my phone so I don’t have them when I am offline. Ha. What a “complaint.” I spent my formative years without access to most of the music I wanted to hear — oh, the joy of the crappy passed down walkman from my older brother! The long hours waiting for any song I liked to be played on the radio. Now I say to my phone, Hey Siri, play Amy Winehouse’s “Valerie” or Ian Gillan’s Stevie Wonder cover “Living for the City” or Kate Nash or the Winterpills or a n y t h i n g. Bartok? Yes.

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